# #-------------------------------PLEASE NOTE---------------------------------# #
This file is the author's own work and represents their interpretation of the 
song. You may only use this file for private study, scholarship, or research. 
# #---------------------------------------------------------------------------# # 


Piano Arrangement for
Weezer's "Undone - The Sweater Song"
by Rivers Cuomo


Arranged by Matthew Stoff
ornjucman@hotmail.com


The following is a guideline for playing the main riffs on the piano
with suggestions for the right hand (vocals).
Play in the Key of F#
Names of the notes are given with their octave number for the first time only
.... < indicates a tie (held note)



(Introduction)
Treble:      rest            A  A#........A  A#.........B  A#........A A#

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Bass:          F#(2)  D#(3)......B(3) D#.......C#(3)  F(3).....B D#


Repeat this several dozen times.  Get your friends to voice over the talking part
its fun!  none of my friends do this tho :(

(Verses)
To emulate the effect of a strumming gutair for the first and second verses, I
play the base chords broken into fifths, omitting the middle note, as indicated.





Treble    I'm me         me be       goddamn        I am

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Bass      F# and C#     B and F#    C# and G#     B and F#





Treble    I can         sing and     hear me     know me                  =W=!!

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Bass    F# and C#     B and F#    C# and G#     B and F#


(Chorus) 
For this again, I play the sets of fifths, loudly and where usually played nothing
in the treble, I play the melody beginning on A#.  Its easy to figure out so i wont 
write it out.  
 


Treble   If you       want to de-  stroy my sweat--ER    ( C# B C# D# A#)  < 2nd chorus only

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Bass   F# and C#     B and F#    C# and G#     B and F#





Treble   Pull this    Thread as i  WAlk    A  - WAY

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Bass   F# and C#     B and F#    C# and G#     B and F#




After the 2nd chorus, before the 'tanktop' chorus, the crazy solo part switches to the key of A.
There is no reputable or responsible way to write out the individual notes to the solo.  Just keep the
1, 4, 5 chord structure of A D and E and inprovise till it sounds right.


The Distortion and cochophony of sound at the end is best emulated by leaving the pedal down 
for everything, and playing the bass chords repeatedly.  The high notes towards the very end are 
odd combinations of C# F# and A#'s all in the 5th and 6th octaves.  If you have a grand piano and
you can reach the strings, strum them, low-high several times and then slam down the key cover, as 
those are the final seconds of the song.  =w=  Rock on!