Once back in LA, Rivers finally got to "meet" his new blue guitar, which had finally arrived in the mail. He soon tired of the confusing electronics set-up and had it simplified so that there was only a volume knob and a switch to choose between the two pick-ups. One pick-up was a black Seymour Duncan TB59B1, AKA the "Trembucker 59" (same as the red guitar), and the other was a cream colored DiMarzio that was almost certainly a SuperDistortion2 (I have learned that the"Humbucker from Hell" only came in the yellow and red model that was in the red Strat). Additionally, there was a special capacitor added to the wiring that kept the tone thick and crunchy, even when the volume was turned down low (hence the nice "quiet-yet-crunchy" live concert tone on the quiet parts of "say it aint so", etc...) This may have been a "Black Ice" module, which replaces the capacitor on the tone knob and is a passive overdrive/distortion circuit, controllable by the tone knob once you put it in place of the tone capacitor. However, as only the volume knob was left functioning, I believe it was instead hooked into the volume knob, thus increasing its activity as the volume was turned up (or down?)


Additionally, Rivers now picked out a new 1993 Marshall 100 watt JCM-900 "SL-X" Model amplifier. This was chosen because it just went "over the top" compared to all the other amps we checked out... and we checked out a TON of Marshalls that summer! Today it is still in use as Rivers's "Back Up" head on tour, and still sounds mighty fine. The other new guitar picked up by Rivers in the fall of 93 was a Gibson Les Paul Junior, inspired by the sound of Ric's "1955" '59 double cutaway. At the time of purchase, we were assured that the guitar was a 1958 that had been unfortunately re-finished, thus reducing its collectibility but increasing its affordability. Somewhat suspicious was the lack of a serial number on the headstock, which had been sanded down in refinishing. However, the guitar had (and still has) a wonderful chunky sound, so that combined with its unusual vintage affordability (in the $800 range I beleive), led to its purchase. We learned much later that its much more likely to be a early 70's issue, and that the neck, nice as it is, is likely from the 80's. Well, fortunately, the guitar has proven its mettle numerous times, and is still in use today (2001) with Brian.